camera cranes Washington DC

New York Jib Operator - Upgraded Controller

NYC JIB Op - Upgraded Controller!!

A couple weeks ago I punched it on a custom joystick from Jony Jib which was supposed to be a significant improvement against the stock part. Let me know you all this, it’s amazing! Since this is just NJ/NYC Jib op talk, I’ll spare the crazy engineering details bc even I don’t understand them. You can definitely read up on the tech stuff if you’d like, but the end result is it’s amazing. The controller is enormously smoother, more accurate, and dreamy. The biggest gain is how smooth the image is at the tele end of lenses. With the stock joystick you do need to pay attention and get in the zone to ensure smooth moves in the 200-400mm range. The new controller makes this far easier and almost effortless! You will be seeing this jib op around NY, CT, PA, NYC, NJ and more being smoother than ever before.

How I became a NYC based Jib Operator

Lots of people ask me how I got into this weird niche. Most people I knew growing up went to college, got a degree, possibly a grad degree, and work some kind regular well paying job. You just say to yourself, well that figures! He or she studied HR, they do HR. They have a business degree….and now they do some ethereal job involving paper and $$ deep inside a computer. What’s my story? How did I manage to get into this??

Well, many might be surprised to know this was entirely an accident. I actually graduated from Mason Gross School of the Arts (Rutgers) with a bachelors in jazz performance. I was a drummer, a pretty good one too! I played professionally for several years in a variety of bands, taught private lessons, and even taught high school marching band for a few years. It was during this time that I got more and more into production work. It started with learning audio skills to record my own bands. That turned into me teaching less and working with sound more. One day I got the opportunity to do audio for video with a production company that specialized in streaming MMA/Boxing. We hit it off and eventually they had a job with no budget for audio, but asked me if I wanted to learn camera. I jumped at it! From there I just kept learning more and more, more and more, more and more.

A year or two later I wound up in a situation where the production company’s jib operator had to bail very last minute and we couldn’t find an op. I figured out how to put the jib together and got promoted! Funny enough, this NYC JIb Operator’s jibbing debut was actually in Lancaster, PA! After that, I took the jib home with me to practice. I just kept getting better and better. Eventually, I just wasn’t a drummer anymore but wound up with the wonderful business and career I have today.

You never know where life will take you!

The perfect jib vehicle for being a NYC JIB operator

Jib Operators around the country have it so easy compared to here in NYC! Being jib op in NYC is a little cut throat with loading. Forget the paralyzing traffic, most venues are super old and were never designed for modern load ins. Loading docks are very small and sometimes you can only street load into a stage door. THEN, what do you do with vehicle?? I honestly have no idea what people do with their box trucks OR trailered vehicles! For me it’s super simple, I can fit a 30’ JJ Triangle, many cameras, tripods, and lighting right into a Toyota Sienna minivan. Productions that have reserved street parking love it b/c they think you’re coming with a truck and that means you take up way less space! Parking garages never turn you away and you can street park a whole lot easier than a sprinter van!

When this jib op takes a camera crane rig down to newer buildings in the DC area, I’m always amazed at how intelligent venues are set up! NOT the case in NYC!!