On the subject of how to find a good camera jib or camera crane rental in NYC, it can be quite a process. Jib Rentals in NYC have variable rates, operators have different equipment, and policies. Larger NYC and Washington DC jib companies often will bill labor from the minute the equipment begins transporting to the shoot location! When accessing jib rentals in cities such as Philadelphia, Boston, DC, or NYC it’s best to try to identify a company that displays quality work online but also showcases great communication. As with any service you may ever need, someone communicating to address your needs and make you feel you are being taken care of is the first step! A lot of people are guilty of minimally responding to inquiries of any kind. How many times have you send a text to friend that had a few points to be address? For example, say you text your friend who is coming to your BBQ and you are double checking that he or shit is bringing ice, some extra burger buns, and chips? How many people do you know that are likely to just say “yea I got the chips”…..nothing more. Now how many people do you know that respond to emails like that in a world environment?? It’s staggeringly a lot! Thorough communication is something you should be looking for with any service as it builds trust and confidence!
What is the right size jib for the job?
As a rule of thumb, in a stage environment you want to avoid a jib arm crossing more than 1/3rd the length of the stage. This helps keep the jib out of other camera angles but also lets the widest point of a shot still look very wide. If the arm is going any further along the stage, your wide can result in a cameo appearances of the jib rig and operator! But what about jobs where there isn’t a stage and it’s just an open space? Being a NYC based jib operator, you see venues and spaces of all kinds. A good rule of thumb is to make sure your arm isn’t built so big that you don’t have room to boom around. If the space is 40 wide, then a 30’ reach jib would have a 90’ degree boom radius. An 18’ jib reach would have considerably more boom radius and be a lot more appropriate. With camera crane/jib operator gigs in and around New York City/Philadelphia, ceiling height and what’s around you also is a big factor. Let’s say there is a chandalier close by to where your footprint is. You need to make a judgement call if it’s easy to avoid OR if it’s better to build 3’ shorter so you don’t have to even think about dodging it. No one likes having to use a shorter arm for safety, but if the camera can boom right up to a cool lighting fixture or grid, then you’re in for setting up some amazing shots! Lastly, how high or low the camera needs to go is something to consider. When using the larger Triangle Jib sizes, you have 6 and 9’ ballast arms. To get extra lens height, you set up the tripod legs to be higher. The flip side is that it gets very difficult to boom close to the ground. It’s important to get a feel for the zone you need to be swinging in before you build a rig.
30’ Jimmy Jib Triangle at Parx Casino outside of Philadelphia. Jibbing around lights needs to be done carefully, but there’s a lot of cool perspectives to be had!